About

Liz Waugh McManus has a multifaceted art practice that embraces sculpture and multimedia. She makes installations using her primary sculptural medium of glass. Glass for her is an interface to use in conjunction with other processes and techniques, offering both a metaphorical substance and a material body that captures the ephemeral content of moving light.

21st century technologies (CAD, water jet cutting, electronics and moving image) are used alongside ancient and studio glass-forming techniques to create animated objects which allude to narratives (biography, traditional tales and global issues of environmental care, anthropogenic effects on biodiversity, climate change, human migration, and natural disasters).  Creating the sense of a living presence is an important thread running through her work, whether achieved through electronics, animation, performance or in sculptural form. She seeks audience engagement through animacy, storytelling, playfulness, and interactivity, drawing the viewer in through time-based media and real-time interactions. 

More about her creative process, and work in process can be seen on her Instagram account @lizwaughmcmanus

Bio

After a Foundation, Liz studied Art and Design in Social Contexts (Dip HE) at Dartington College of Arts, and Visual Studies/Art History (BA hons) at Oxford Polytechnic. She furthered her interest in the art, society and non-Western artforms by completing a PhD in Social Anthropology of Art at the Queen's University of Belfast, spending a research year in Jamaica. Her interest in the performing and participatory arts at Dartington led to her becoming co-director of several arts companies, receiving public funding from the arts council, local authorities and trusts to produce theatre shows and deliver projects in education and community settings (Obelon Arts, Koan Arts and Greenfingers Productions). While enjoying these collaborative projects, she also developed her personal art practice.  Discovering glass as a medium in the 2000s, she learnt through classes with major glass artists (including Irene Frolic, Clifford Rainey, Tessa Clegg and Stephen Durrow) and mentorships with Angela Thwaites and Emma Woffenden.

Her artistic investigations continued in doctoral practice-based research at the University of Sunderland based in the National Glass Centre, developing an ‘Internet of Glass Things: digitally communicating objects’, that blends the qualities of glass with the capabilities of electronics for creating interactions and incorporating media, in order to create new kinds of artwork. Liz coined the term ‘Internet of Glass Things’, as an equivalent to ‘e-textiles’ or ‘paper circuits’, to describe glass blended with computational materials.

Liz is an experienced arts tutor and project manager. (Please make contact for full CV). For details of classes at her studio please click here.

She is available for residencies (site-specific, gallery or heritage) and to run projects for educational and community settings embracing environmental art, sculpture, glass, film, animation, video, puppetry or e-craft. For more details including projects with young people see Eye Arts Club https://obelonarts.org  or www.koanarts.org

Selected exhibitions

2024 Sound Scene, Hirshhorn Art Museum, Washington.

2024 Evolution, Glass Art Society conference, Berlin.

2022/23 1.5 Degrees, MSUM (Science Gallery outreach project), Detroit

2022 Collaborations, Woverhampton Art Gallery 2022 Whispers from the Past and the Present, at Trades House, Glasgow and Wasps Creative Academy, Inverness 2022 British Glass Biennale, International Festival of Glass 2021 Rule 42, Stretched Language, Bonita Museum, US 2019 Celestial Bodies, CGS, International Festival of Glass
2018 Inheritance, Norwich Castle Museum (and invited speaker)
2017 Water and Music, Contemporary Glass, Pyramid Gallery
2016 Glass 2016 - 15 British Artists, Pyramid Gallery 2015 Migration - Journeys in glass and video art, solo show, Belfry Arts Centre
2014 Coburg International Glass Prize, Veste Coburg Art
Collections/European Museum of Modern Glass
Fantastic Light, Galllery in the Garden
Solo show, The Cut Arts Centre
Glass show, The Bank Arts Centre
2013 Glass show, Craftco
Artworks Group Show, Bury St Edmunds
Waveney Springs Open Studios
Two person show, Itzal Aktiboa Gallery, St Jean Pied de Port
Art Alive!, Norwich Assembly Rooms
2012 Artworks Group Show, Bury St Edmunds
British Glass Bienale, International Festival of Glass
Snakes and Ladders, Contemporary Glass Society, Belfry Arts Centre
Glass Games, The Gallery, Redchurch St, London
2011 On the Brink, Belfry Arts Centre
Melt, London Glassblowing Gallery
Flying Colours, Fascinating Forms, Norwich Assembly Rooms
2010 Essence, London Glassblowing Gallery
Contemporary Glass, Belfry Arts Centre
British Glass Biennales (shortlsted for Best in Show|
Recollect, Burgh House and London Glassblowing Gallery
2008 Artworks Group Show, Bury St Edmunds
2007 Suffolk Showcase, Smiths Row Gallery
2006 Liquid Light, Frome
Four person show, Halesworth Gallery
Glass, Metal and Stone, Ip-Art Festival
Secrets in the Garden, Thornham Walled Garden
2005 Glassworks, solo show, The Cut Arts Centre
Cairn, Bergh Apton Sculpture Trail

Awards

2023 Collusion Art-Tech-Play Interaction and Projection Day

2023. The Art Station - Environmental Mapping Research & Development project

2022 Longlisted for Lumen Prize 2022 for art and technology 2021 Mike Davies Innovation Scholarship 2021 Glass Lab Scholarship 2018 Pilchuck Glass School Scholarship
2010 Commended for ‘best in show’, British Glass Biennale
Contemporary Glass Society mentorship
2007 North Lands Creative Glass scholarship
2006 AA2A residency, Norwich University College of the Arts
2005 Professional development training, Suffolk County Council/A-N
2004 Firstsite Gallery mentorship
2003 AA2A residency, University of Hertfordshire
2002 North Lands Creative Glass scholarship

Publications

Featured in:
Sio: Verre et Nouvelles Technologies dans la Création Contemporaine by Manuel Fadat, 2017
Crafting Conductive Surfaces in Glass, by Dr Jeffrey Sarmiento, Making Futures International Research Conference paper, 2017
The Coburg Glass Prize 2014 catalogue, 2014
British Glass Biennale catalogue, 2012
Mouldmaking for Glass by Angela Thwaites, 2011
British Glass Biennale catalogue, 2010
Co-author of The Singing Storycloth, A&C Black

Tuition

Click on the image for details

Liz runs classes in glass and sculpture techniques from her studio in Suffolk, UK, and elsewhere.
For futher details, please click on the image above.